Critical
positions on the media and popular culture.
What is culture?
As we grow gain culture. Development.
A particular way of life
Works of intellectual. Artistic significant
Culture emerges because of economic
relations in society.
Culture rises from base and legitimizes the
actions of base.
Raymond Williams 1983
4 definitions of popular.
Lesser of a real culture. Such as art and
mass-produced.
Needs a taste setter. Historically the
ruling classes are the taste setters.
Class judgment.
Anything aimed for popular culture. Work
that is not understandable is for high culture and more important. Elitism
compared to simple work for the lower class.
Political position.
·
Well liked by many
·
Inferior kinds of work
·
Work deliberately setting out
to win favour with the people
·
Culture actually made by the
people themselves
Inferior or Residual culture.
·
Popular newspapers Vs Quality
newspapers.
·
Popular cinema Vs Art Cinema
·
Popular Entertainment Vs Art
culture.
Mural painters self-taught. Flawed to judge
by educated. Class divide.
Society had a common culture and there was
a tiny elite culture.
The first time this changes is with
industrialization and urbanization\
People are condensed together
Working class and bosses separated
The working classes live in slum areas and
the upper-class life is the nice sector of town.
Physical separation
Cut of and ghettoized. They create their
own culture. Music, literature, games, pass times.
Working class voice.
Worker movement has the right to vote and
have a say in there society.
Matthew Arnold 1867 “Culture &
Anarchy”
Culture is? Arnaldism
He tried to define what culture was.
“The best that has been thought and said in
the world.”
Study of perfection
Attained through disinterested reading,
writing, thinking.
Culture is the force the diseased spirit of
our times. Opposite of culture
Anarchy. “Raw and uncultivated masses.”
The working class, Raw and half developed.
Defending upper-class culture against the
working class. Attack and patronize the working class.
Leavisism F.R Leavis & O.D Leavis
Similar to Arnoldism
Dumbing down of culture.
Culture has always been in a minority
keeping.
the challenge is the rise of popular
culture.
Collapse of traditional authority comes at
the same time as mass democracy.
Cheap emotional thrills.
•
Popular culture offers
addictive forms of ditraction and compensation
•
‘This form of compensation… is the very reverse of recreation, in
that it tends, not to strengthen and refresh the addict for living, but to
increase his unfitness by habitutaing him to weak evasions, to the refusal to
face reality at all’ (Leavis & Thompson, 1977:100)
Frankfurt School – Critical Theory
Institute of social research
Closed down when the Nazi’s came inoto
power.
Moved to university of Columbia New York
1933-47
Got to see the most developed country. Huge
consumer culture.
Theodore
Adorno
Max
Horkheimer
Herbert
Marcuse
Leo
Lowenthal
Walter
Benjamin
The culture industry.
FORDISM (1910 onwards)
Mass Produced. Culture
“As soon as the film begins, it is quite
clear how it will end, and who will be rewarded, punished or forgotten”
People expect the same formula of film.
Dish out moral lessons.
Guy end up with girl
Person who has sex will die first in horror
film.
Media is just a business, passes through
the culture filter.
All Mass culture is identical.
Hubert Marcuse.
Code us in to a certain way of thinking
about the world. Only subject to a small range of view. Tunnel vision lives.
Locked into a system.
Codes you into a way of thinking. Crates
order. DUMBING DOWN
Denies the opportunity to fight back.
Adorno “on popular music.
Standardization
Reduces free thought.
Social cement
Makes you passive and regulate your
behavior.
Dance music wit its insistent rhythm is
connotation the rhythm of a factory.
Real culture been lost.
·
Individualization
·
Imagination
·
REAL
Lost
Walter Benjamin
1936
What happens when you can reproduce?
Looses meaning
Technology allows us to see examples of
originals.
Detaches the reproduced object from its
original domain.
Redefine the meaning of original.
Making high culture into low.
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